<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>Digital Knowledge Community:</title>
    <link>https://etd.cput.ac.za/handle/20.500.11838/219</link>
    <description />
    <pubDate>Wed, 15 Apr 2026 13:40:09 GMT</pubDate>
    <dc:date>2026-04-15T13:40:09Z</dc:date>
    <item>
      <title>The body as a canvas : a non-permanent form of body art inspired by body adornment practices</title>
      <link>https://etd.cput.ac.za/handle/20.500.11838/1439</link>
      <description>Title: The body as a canvas : a non-permanent form of body art inspired by body adornment practices
Authors: Connor, Tenielle
Abstract: Forms of body adornment and scarification practices have been around since the&#xD;
origin of mankind. Many forms of traditional body adornment have evolved&#xD;
overtime and still exist within our mainstream society today, however examples of&#xD;
recent body adornments, show that although still very much in practice, in many&#xD;
cases the meaning has been lost. The motivational routes of western adornments&#xD;
are today based on what looks good as apposed to a ritual or right of passage that&#xD;
marks one's body for life.&#xD;
Therefore, the aim of this dissertation is to share the value of representation with&#xD;
the viewer - as representation has played, and continues to play, such an important&#xD;
role within the social aspect of mankind. Bycreating a link between traditional&#xD;
practices of African body adornmentl scarification and connecting these with body&#xD;
expression and representation within my own sub-cultural context, I hope to create&#xD;
awareness of body adornment throughout time.&#xD;
Finally the practical component of this research will consist of a portfolio of different&#xD;
photographs and videos documenting the process and completion of adorning&#xD;
different female bodies. These works of art will be traditionally inspired, nonpermanent&#xD;
three-dimensional body art that will also undoubtedly represent selfexpression&#xD;
and comment on 'trendv' sub-cultural society. As Idocument my&#xD;
progress and work it is hoped that I portray in a conceptual framework, a life cycle&#xD;
that comments on the evolution of culture from rural to urban, and from traditional&#xD;
to Western, and how Western lifestyle is diluting our social being with trends rather&#xD;
than using the method of body adornment as a cultural conversation.
Description: Thesis (BTech (Surface Design))--Cape Peninsula University of Technology, 2010</description>
      <pubDate>Fri, 01 Jan 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://etd.cput.ac.za/handle/20.500.11838/1439</guid>
      <dc:date>2010-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>A surface design intervention for adult inmates infected with and affected by HIV/AIDS</title>
      <link>https://etd.cput.ac.za/handle/20.500.11838/1436</link>
      <description>Title: A surface design intervention for adult inmates infected with and affected by HIV/AIDS
Authors: Nel, Nicole
Abstract: This thesis focuses on an educational Surface Design Intervention (SDI) for inmates.&#xD;
It covers the present day situation, from 2006 to 2007, in a Western Cape&#xD;
correctional facility, regarding the needs of a selected group of inmates. This group of&#xD;
20 inmates consists of 10 HIV/Aids positive and 10 HIV/Aids negative participants.&#xD;
The thesis argues that there is potential to plan, design and implement an&#xD;
educational SDI, in a group-work situation, with these participants in order to&#xD;
establish the SDI as a skills-development programme and a therapeutic-intervention&#xD;
and income-generating resource. In addition, this research study aims to understand&#xD;
and interpret how the various inmate participants, in a social setting, construct the&#xD;
world around them and what effect and impact the SDI has on them.&#xD;
This intervention is facilitated by two qualified art therapists and involves the use of&#xD;
different art materials through which the prison inmates express and explore their&#xD;
thoughts, feelings and concerns in a safe, contained and supportive space. The&#xD;
health and wellness literature provided the conceptual scaffolding against which to&#xD;
frame the SDI. The literature indicated that a holistic approach to rehabilitation and&#xD;
instruction is vital to help inmates function optimally in daily life. Ultimately, the SDI&#xD;
process indicates the value of identity formation, emotional expression and ethical&#xD;
development. The thesis concludes that oppositional discourses present in the lives&#xD;
of these prisoners can, and indeed should be reconciled in order for them to achieve&#xD;
a positive affirmation of their status. These polarities, once bridged, offer a&#xD;
moderating influence on these prisoners' lives, which contribute to their wellbeing&#xD;
and success both inside and potentially outside of prison.
Description: Thesis (MTech (Surface Design))--Cape Peninsula University of Technology, 2007</description>
      <pubDate>Mon, 01 Jan 2007 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://etd.cput.ac.za/handle/20.500.11838/1436</guid>
      <dc:date>2007-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>The reconstruction of second-hand furniture and scrap metal : inspired by the architectural structures of deconstructivism</title>
      <link>https://etd.cput.ac.za/handle/20.500.11838/1438</link>
      <description>Title: The reconstruction of second-hand furniture and scrap metal : inspired by the architectural structures of deconstructivism
Authors: Pietersen, Melanie
Abstract: The purpose of this research is to explore and create an understanding of how&#xD;
architectural structures. that adhere to deconstructivist design principles, can&#xD;
inspire the reconstruction of second-hand school fumiture and scrap metal. The&#xD;
planned pieces will continue to create an awareness of sustainability, by designing&#xD;
for reuse. These functional fumiture pieces of low tables and chairs will be&#xD;
handcrafted, appealing to a niche market, or specific spaces and they will act as&#xD;
expressions of contradiction.&#xD;
This research will act as an addition to a body of knowledge, where I will primarily&#xD;
focus on contradicting the traditional form and aesthetic of furniture design. I have&#xD;
decided to create these functional pieces to express a new possible direction of&#xD;
furniture design.&#xD;
The study context is a potential confrontational experience in that I want to&#xD;
challenge the conventional form and aesthetics of fumiture design. These pieces of&#xD;
fumiture will be placed in a niche market where they will exist as one-offs that are&#xD;
not produced for mass-consumption, as they will be individually hand-erafted.&#xD;
These days more and more people are attempting to live in a more sustainable&#xD;
manner by practicing to reduce our consumption of products and resources; reuse&#xD;
that which we have disposed of and forgotten as consumers and to recycle waste&#xD;
products and transform them into a feasible afterlife (Martin, 2010).&#xD;
The theory is focused on Sohaill Inayatullah's theory of "Futures Thinking", and this&#xD;
.theory is further supported by Victor Margolin's study of changing existing&#xD;
situations into preferred ones. The research further reflects on Jacques Derrida's&#xD;
theory of deconstruction, and this research is further supported by the theory of&#xD;
sustainability, by designing for reuse, with a focus on Ezio Manzini.&#xD;
Therefore, my research study is concerned with confronting and challenging&#xD;
the conformity that the form of furniture and its aesthetic adhere to.
Description: Thesis (BTech (Surface Design))--Cape Peninsula University of Technology, 2010</description>
      <pubDate>Fri, 01 Jan 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://etd.cput.ac.za/handle/20.500.11838/1438</guid>
      <dc:date>2010-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>The enhancement of deaf teenage girls' institutionalized environment through multi-sensory design</title>
      <link>https://etd.cput.ac.za/handle/20.500.11838/1444</link>
      <description>Title: The enhancement of deaf teenage girls' institutionalized environment through multi-sensory design
Authors: Lourens, Erna
Abstract: The purpose of this research is to generate a social outreach project by&#xD;
raising funds as well as getting sponsors to enhance the living environment at&#xD;
an institution for deaf girls. The focus is on Huis Soekie, a hostel which&#xD;
accommodates 17 deaf girls between the ages of 11 and 15. It is one of eight&#xD;
hostels situated at the De La Bat School for the Deaf in the rural town of&#xD;
Worcester.&#xD;
Frank Vodvarka and Joice Manice Malnar's work about Multi-Sensory design&#xD;
was used as inspiration to establish creative ways in which to enhance the&#xD;
living environment of institutionalized deaf girls. The living room of the hostel&#xD;
was chosen as focus area, since interaction among deaf people is important&#xD;
and the girls spend most of their time in it. To contribute to a more relaxing&#xD;
environment in this living room, secondary research was done on how nature&#xD;
together with the correct choice of colours can have a positive effect on&#xD;
humans' emotions.&#xD;
The living area of the hostel therefore has a central narrative and theme&#xD;
portraying nature as inspiration. All of the products that were designed for this&#xD;
space also incorporate elements of multi-sensory design. This type of design&#xD;
should be beneficial to the Deaf, because their other four senses are better&#xD;
developed than those of able people. This should also enhance their&#xD;
experience of the products.
Description: Thesis (BTech (Surface Design))--Cape Peninsula University of Technology, 2010</description>
      <pubDate>Fri, 01 Jan 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://etd.cput.ac.za/handle/20.500.11838/1444</guid>
      <dc:date>2010-01-01T00:00:00Z</dc:date>
    </item>
  </channel>
</rss>

