Please use this identifier to cite or link to this item: https://etd.cput.ac.za/handle/20.500.11838/2446
DC FieldValueLanguage
dc.contributor.advisorVan Zyl, IzakEN
dc.contributor.authorDebarry, Olivia Samantha-
dc.date.accessioned2017-05-26T09:53:38Z-
dc.date.available2017-05-26T09:53:38Z-
dc.date.issued2016-
dc.identifier.urihttp://hdl.handle.net/20.500.11838/2446-
dc.descriptionThesis (MTech (Graphic Design))--Cape Peninsula University of Technology, 2016.en_US
dc.description.abstractIn the South African advertising industry, blame is often cast on the designer for a failed campaign. However, human interactions are multi-faceted and deserve further exploration, particularly if the designer is expected to be socially responsible. If this is the case, one has to consider society as a whole if potentially life-saving or socially transformative advertising campaigns are going to be impactful. This study focuses on a specific public awareness campaign related to HIV/Aids education, the loveLife campaign, and how its billboards were interpreted. This study employs a qualitative research design and semiotic analysis with student participants from schools in Cape Town, South Africa, to investigate how the target audience understands and interprets campaign billboards.en_US
dc.language.isoenen_US
dc.publisherCape Peninsula University of Technologyen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/za/-
dc.subjectBillboardsen_US
dc.subjectAdvertising, Outdooren_US
dc.subjectVisual communicationen_US
dc.subjectSemioticsen_US
dc.titleThe interpretation of visual cues on billboards in urban and periurban areas : a semiotic analysisen_US
dc.typeThesisen_US
Appears in Collections:Graphic Design - Master's Degrees
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