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Challenging tradition through sustainable bridal wear for a contemporary South African market
Author(s)
Booysen, Eileen Eleanor
Date Issued
2010
Type
Thesis
Publisher
Cape Peninsula University of Technology
Abstract
This research was conducted to find a natural and functional alternative to commercialised bridal
wear in South Africa, for a South African market base, which is holistically sustainable in light of
the global paradigm shift towards sustainability. In order to find what the alternative would be I
have questioned the symbolic meaning behind the product being presented to the South African
bridal apparel market, and the bridal apparel consumer's views and attitudes towards
commercialised bridal wear.
For the research I have reflected upon theories of sustainability (Slow Design, Cradle to Cradle, and
Design for Environmental Sustainability) which provided the main theoretical underpinning for
product development, guiding material choice and usage, as well as production process in order to
achieve a holistically sustainable product. My supporting theory, Representation, gives meaning to
the idea of an alternative to the 'big white dress' being equally as 'bridal`, as Representation states
that any object could substitute as a symbol for something else.
Inspiration from a self-reflecting road trip through the Karoo as well as tracing my family heritage
in Bloemfontein provided the back drop for my bridal range. The Karoo landscape inspired my
garment aesthetic and natural fabric usage. I wanted a theme of old-fashioned romance to come
through as the essence of my range - inspiring the garments to compliment the rite of passage to
which they belong, and not to dominate the meaning of the ceremony. Therefore the garments
could easily be adapted to a second function through styling and/or dyeing. The range consists of ten outfits, and comprises of men's and ladies wear.
wear in South Africa, for a South African market base, which is holistically sustainable in light of
the global paradigm shift towards sustainability. In order to find what the alternative would be I
have questioned the symbolic meaning behind the product being presented to the South African
bridal apparel market, and the bridal apparel consumer's views and attitudes towards
commercialised bridal wear.
For the research I have reflected upon theories of sustainability (Slow Design, Cradle to Cradle, and
Design for Environmental Sustainability) which provided the main theoretical underpinning for
product development, guiding material choice and usage, as well as production process in order to
achieve a holistically sustainable product. My supporting theory, Representation, gives meaning to
the idea of an alternative to the 'big white dress' being equally as 'bridal`, as Representation states
that any object could substitute as a symbol for something else.
Inspiration from a self-reflecting road trip through the Karoo as well as tracing my family heritage
in Bloemfontein provided the back drop for my bridal range. The Karoo landscape inspired my
garment aesthetic and natural fabric usage. I wanted a theme of old-fashioned romance to come
through as the essence of my range - inspiring the garments to compliment the rite of passage to
which they belong, and not to dominate the meaning of the ceremony. Therefore the garments
could easily be adapted to a second function through styling and/or dyeing. The range consists of ten outfits, and comprises of men's and ladies wear.
Additional information
Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010
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